![]() ![]() Italian Songs and Arias Employing Agility Lyric Soprano Abbatini Arditi Ariosti Bellini Hence, in H Martern aller Arten (Abduction from Seraglio)) Now to my aid fun wit and humor (The Merry WVives) Ballade HLM Das Wandern Der Hirt auf dem Felsen H Clarinet or violoncello H Der Wachtelschlag HL Mein! HML UngeduldĪuftraege Fruehlingsnacht Adele* s laughing song (Die Fledermaus) Blue Danube waltz Tales from the Vienna forest Voci di primavera Truebe Augen (Der Freischuetz) Die Zigeunerin Young singers may have short ranges but they frequently have very fine tastes, possibly some language background and even fairly good mu¬ sicianship due to previous instrumental study. That which is easy for one is not necessarily easy for another. Intention¬ ally no lists have been made of “easy” songs since this has been felt to be a misnomer. Several of the song lists have been augmented and du¬ ets, trios, songs of limited range and chamber operas for two, three or four voices have been added. This has been thought to be a service to the individual singer who is primarily interested only in that material which is suit¬ able for his particular voice. Part III includes songs for Lyric Tenor and Dramatic Ten¬ or and Part IV includes songs for Baritone and Bass. Part n includes songs for Mezzo Soprano and Contralto. ![]() Part I includes songs for Coloratura Soprano, Lyric Soprano and Dramatic Soprano. Singer’s Repertoire Part I Coloratura Soprano Lyric Soprano and Dramatic Soprano Second Edition byįoreword “The Singer’s Repertoire” in its second edition has been divided into four parts. ![]()
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